Monday, July 30, 2012

My Garden and the Drought

All four lima bean pole trellises looked beautiful . . . 

However, no beans had set on any of the plants. The cauliflower and broccoli plants were large--except for the harvest. The bush green beans were stunted, without fruit.

Therefore, this weekend we started turning under some of our garden, focusing on the butternut squash, which have some nicely-sized squashes; the  Amish variety cantaloupes,  which have about a dozen melons; and the Moon and Stars watermelons, of which we have about ten growing.

Will they make it? Who knows?

We had already for the last few weeks been very selective on what we replanted, focusing mostly on what keeping plants already in the ground alive.

We did have some success with our earlier garden, eating and freezing peas, green beans, greens, and zucchini. We hope to plant a small greens garden for our front two raised beds for the late fall and early winter.

Our garden is an experiment in sustainable living. It's lesson this year is that "no garden is an island." Sustainable living must be a societal lifestyle. One family is like a drop of rain on the hot sidewalk, there and then gone.

Ah, well . . . We can remember the spring, and hopefully the cantaloupes will ripen soon.

Copyright 2012 by Thomas L. Kepler, all rights reserved

Tuesday, July 24, 2012

A Book on Writing: a CreateSpace Experiment



Using twenty essays taken from posts to this blog over the last three years, I Write: Being & Writing explores the nature of writing--focusing on the writer, the process of writing, and the written word.

I intend to use it in my classroom at Maharishi School and have added activities for writing and discussion that focus on educational psychologist's Robert Sternberg's different styles of learning: analytical, creative, and practical. Some of the essays in the first part of the book, "The Writer," focus on the relationship of consciousness and writing. I explore how Transcendental Meditation has helped me as a writer.

I'm seeing how easy it will be for students to do create their own book of writing with some guidance. It has taken about three weeks so far for me to compile the book. CreateSpace at Amazon has set up a pretty easy process (of course, I've published my other books using more advanced software). I'm not done yet but am getting close!

Here is the table of contents at this time:
  • The Writer    
  • 1    I Write: Being and Writing
  • 2    Privacy and the Inner Writer: the Man from Porlock    
  • 3    Thoughtful & Spontaneous Writing    
  • 4    Writing Without Focus to Discover Ideas    
  • 5    How Autobiographical Is Our Writing?    
  • 6    Finding Your Voice as a Writer    
  • 7    Voice and Vox Populi: a Divine Tension    
  • 8    Writing That Is Progressive & Evolutionary     
  • The Process of Writing    
  • 9    The Writing Process    
  • 10    Getting Ideas for Writing    
  • 11    How Does a Fiction Writer Organize Writing?    
  • 12    Choosing the Right Words    
  • 13    Expand Your Vocabulary: an Easy, Effective Approach    
  • 14    Sentence Fluency: the Flow of Consciousness    
  • The Written Word   
  • 15    Mechanics & Grammar: How Rough Is the Road?    
  • 16    Presentation: the Final Step of Writing    
  • 17    What to Learn from a Well-written, Effective E-mail    
  • 18    Kindle as a Writing Tool    
  • 19    Specific, Useful (and Positive) Comments    
  • 20    What’s the Difference Between a Writer & a Publisher?
 I'm looking forward to teaching these 21st century skills to my students. I Write: Being & Writing should be published by mid-August. Then I'll have a clear idea of how to structure the learning process for my students.

Copyright 2012 by Thomas L. Kepler, all rights reserved

Monday, July 23, 2012

Run, Bike, Run, Walk, Run . . . Write

Run, Bike, Run, Walk, Run . . .

That's right, I've been exercising. It's not that I ever stopped exercising. I've ridden my bicycle regularly for years, and as a teacher, I am on my feet and moving all the time. I work in my garden.

It's just that now I've decided to be more organized, and what I'm finding is that my endurance is increasing. This is good.

I also discovered that although I had invested in good shoes for work, I had not for play, so I bought a good pair of running/walking shoes and a good pair of sandals in order to give my feet a break.

Rest and activity. Train, don't strain.

I'm not beating myself up, though. I run and walk alternatively, not just on alternating days but on my "jogging" days, too. There's no need to abuse the body, even though at first my body said, "What in the world are you doing, Tom!" I was firm and said, "Deal with it," with the realization that my purpose was to exercise, not to deal myself a healthy portion of masochistic pain.

So I'm off to exercise at dawn--the coolest time of the day (meant literally in this time of drought and heat).

Oh, and by the way, I'm also close to putting out another book--a non-fiction series of essays on writing, garnered from this writing blog. More on that later . . .

Copyright 2012 by Thomas L. Kepler, all rights reserved.




Thursday, July 12, 2012

I Write: Being and Writing

I write. This is an independent clause, the most simple of sentences--subject and predicate, subject and verb.

Dogs bark. Fish swim. I write.

These simple sentences have two parts, the break occurring between the words. Some imperative (command) sentences may be only one word long: Write. Swim. Jump! You is the understood subject.

Looking beyond the content of these sentences to the structure provides some interesting insights. The subject is the knower, the doer, the one who acts; the predicate is the process, the action, the heartbeat of the sentence. They act together to create a complete thought, consciousness becoming dynamic.

To improve as writers, we have to consider both halves of the simple sentence I write.

We have to consider the subject, the I. If I am dull or impatient or distracted or unhealthy, what I write will lack my full effort. Like an athlete, I must be fully engaged when writing. I must continue to grow and expand as a person. I started writing for myself (and not just for class assignments) when I was fifteen years old. I would hope my extra years of living I have added to the experience and wisdom that I bring to writing.

When I was twenty years old, all I wanted to do was write poetry, but a frightening, sobering experience set me back--at twenty years of age, I found myself banging against the boundaries of my creativity. I was trapped within my limitations. All I wanted to do was to write, yet I saw and felt the limitations of my writing.

I was instructed in the Transcendental Meditation technique a week before my twenty-first birthday, and I've regularly practiced TM since that time. I believe that our outer expression of life has its basis in our inner life. TM has given me rest and has quieted that inner rabble that can be so distracting to creativity. It has deepened my inner life. It's also why I teach in a school that teaches a Consciousness-Based educational curriculum. I believe students should not only grow in what they know but also in their capacity to know.

I also exercise, try to eat well and get to bed on time. I try to live a good life because I don't want to be distracted from my writing. This last spring I came down sick with the flu, which morphed into walking pneumonia. It was the sickest I'd ever been in my life. I was distracted from my writing, from my job, from everything except getting well. It reminded me that being of sound mind and body is the basis of having a successful life--as sound of mind and body as we can get, anyway. We've all got our issues, but there's no need to exacerbate them.

For all those brilliant, neurotic writers in the world, God bless them, but they (or we) are brilliant in spite of neuroses, not because of them. And I don't include our oddities, peculiarities, eccentricities, idiosyncrasies--our bizarre, outlandish, freakish habits as necessarily being beyond the norm. I hold the norm to be a very diverse and differentiated population.

Other people may engage in different activities. I bike and walk and jog. I garden and enjoy the outdoors. Others may swim, hit the squash courts, bird watch, listen to classical music, or practice the slow dance of t'ai chi ch'uan's training forms. There are many ways to improve our health, whether it be inner or outer, mental or physical. I like TM because it doesn't exclude other pursuits; it just takes us to that state of least excitation of consciousness, and from that quietness, we then move into activity, like the archer fully drawing the arrow on the bow and then releasing it. It's all part of the beginning half of the simple sentence I write.

The other half of the sentence is the verb: write. It is the process, the skill, the action. By definition a writer is one who writes, as simple as that. The trick is, OK, how well do we write? How well do we understand the process of writing?

Charles Dickens
Like all skills, learning how to write is a life-long process. It is one that demands dedication and humility and perseverance. It is one that requires a certain knack--although that may fall into the subject, the I part of I write. Studying the master works of other authors and listening to other writers' descriptions of the process of writing is all part of learning.

I write. We have to consider both aspects of that declarative sentence, of that declaration. Expand the container of knowledge. Develop writing skills. In both of these imperative sentences, the unspoken subject is you . . . or I, because I'm a writer.

I write says a lot. We must live integrated lives . . . and I haven't even attempted to discuss the sentence I am, a much more abstract, more difficult subject. Am is a state of being verb without action, only amness, isness, unity. There is a saying, that language stands at the door of the transcendent and awaits our return.

We return, as Dylan Thomas said,  to our "craft or sullen art," attempting to to find meaning in a process where our efforts, according to Archibald MacLeish, at their best, "should not mean but be."

Copyright 2012 by Thomas L. Kepler, all rights reserved

Tuesday, July 10, 2012

The Amazing Spider-Man (2012): What Makes This One Different?

I'll be honest. I like the earlier Spider-Man movies with Tobey Maguire and Kirsten Dunst, so I guess I'll just have to say that I really like The Amazing Spider-Man with Andrew Garfield and Emma Stone.
 "Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy, and together, they struggle with love, commitment, and secrets. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance - leading him directly to Oscorp and the lab of Dr Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero." (Written by  Nicky Mitchell  at IMDb)
In the earlier Spider-Man movies, the action and teen drama are balanced to create that special Spider-Man ambiance of teen versus them. I think Spider-Man 2012 captures it better. The earlier Spider-Man movies viewed teens from an adult perspective, where The Amazing Spider-Man sculpts dialogue and action more from a teen perspective.
  • The pace of teen confrontation moves quickly; in fact, all the high school scenes capture that sudden, emotion-infused moment.
  • The dialogue is believable with a great deal being said with a few words, some muttered, facial expression and body language: an entire world-view expressed with a shrug, a sneer, or a handful of words.
  • Adult-teenage interactions involve as much walking away as heart-to-hearts. It's difficult for Peter Parker to express what he's feeling.
  • The teenagers are more unpredictable, more mercurial in the 2012 movie--personalities in transition, out-pacing the understanding of the teens themselves.
  • Technology is a part of the landscape. Even while suited up, Spider-Man's got to answer his cellphone. Science and technology seem to fit more seamlessly into the new movie's plot, too.
Another strength of the movie was character motivation. The fact pace of the movie provided an understanding of character action without scenes becoming maudlin. I thought at first that actress Emma Stone as the girlfriend was too old for the Andrew Garfield Spider-Man. However, we then meet the girlfriend's dad (Denis Leary)--and that explains a lot. The antagonist Dr. Curt Connors is a haunted man with a need, and that character is nailed by actor Rhys Ifans. Uncle Ben and Aunt May, played by Martin Sheen and Sally Fields, provide credibility, and Fields makes excellent use of her greater screen time to say volumes with facial expression.

A lot has to be given to director Marc Webb and screenwriters James Vanderbilt, Alvin Sargent, and Steve Kloves. The teen years are a tangled web, and this movie delightfully snares us, heart and soul.




Copyright 2012 by Thomas L. Kepler, all rights reserved

Saturday, July 7, 2012

What to Learn from a Well-written E-mail

Unless we're writing our parents, it's best to ensure our e-mails are enticing, useful, and succinct--otherwise, they will quickly find their way to the trash.

I recently attended an e-mail writing workshop led by professional writer Christine Schrum which provided me with both some new information and some useful reminders. She called her workshop "Email Copywriting 101," but it could just as easily, except for a few specifics, have been "Effective Writing 101."

What did I learn that was specific to e-mails? Two things, really.
  • Have a strong subject line. Get to the point, avoid obvious spam words, or get trashed.
  • Emphasize benefits over features. Benefits highlight the value of the information contained in the e-mail. Features provide specific details but need to be tied to value or significance.
Having a powerful title and considering one's audience are two good points of advice.

Other tips were more general in nature--ones that are needed when writing e-mails but are also good for most forms of writing.
  • As an author, have a consistent name. I shouldn't be Tom Kepler one day, T. Kepler the next, and end the week as Thomas Kepler.
  • Hook the reader with the first sentence, paragraph, title. This is especially true with media writing where you are in competition with a menu of emails or pages of other titles and stories.
  • Use active voice, action verbs, and proofread. Don't bore or bruise your reader.
  • Keep it short. This is especially true with e-mails and in formats that are read for information. Both news writing and emails work best when the information is not presented in large, dense blocks of print.
  • CTA = Call to action. As Christine said, "Leave readers with a clear indication of what to do next."
The next time you write an e-mail, check to make sure that you're using effective writing techniques. Follow Christine Schrum's advice and "always send yourself a test email."

And let me add a suggestion of my own--if you've got the time, don't open the e-mail for an hour or more. That way, you can more objectively ask yourself, "Does this really do the job? Have I communicated in a powerful, concise, effective way?"

Copyright 2012 by Thomas L. Kepler, all rights reserved

Wednesday, July 4, 2012

The Personal Memoirs of Ulysses S. Grant: a book review

It seems appropriate to review on July 4 the Personal Memoirs of Ulysses S. Grant, a man key to maintaining the unity of the United States.

Anyone interested in the Civil War should listen to the voice of the general that engineered the defeat of the Confederacy.

The free e-version that I read came in two volumes (links: One and Two), the first beginning with Grant's childhood, education, military service in the Mexican War, and ending about halfway through the Civil War. The second completes the Civil War and the surrender of the Confederacy. (E-book users other than Kindle can download this book in other formats at Project Gutenberg.)

There's something special about reading a firsthand account of such a great event, written by one of the primary shapers of that history. Grant also writes in an objective style, relating the events in a straightforward manner, never tooting his own horn. In fact, one belief he expressed several times in his memoirs is that he considered it disreputable for a military officer to seek promotion. He felt it should be given because of the officer's competency.

This is what I learned by reading Grant's Memoirs:
  • Grant's father made him enter West Point.
  • Grant decided to complete his military education because it would give him a good starting point to become a math teacher.
  • Grant saw many of the military leaders of both sides of the Civil War in action during the Mexican War. This provided him with insights about how those officers would act during the later Civil War.
  • Engineering was extremely important during the war, building defenses, bridges, roadways--and destroying them.
  • Grant highly respected General Sherman. Grant's comments made me want to read more about Sherman.
Small details that Grant explained created a greater understanding of the man and the times. For instance, at Appomattox, Grant was not dressed in a travel-dirty uniform to make a statement. He had been with the troops and had come straight to the surrender site as soon as he received the news from Lee. Another detail was how a field commander was removed from his post--not because he was not competent but because the commander was best at defense and Grant needed a commander who was good at pursuing a fleeing enemy.

I suggest if you read Grant's Memoirs you first find a source of maps. I believe that will enjoyably slow down your reading, providing the opportunity to see the movement of troops, the length of marches, the strategy of attack and siege.

I wrote an earlier article of the Memoirs when I had read only through the Mexican War. In it I provided some quotes and observations that may be useful if you still haven't made up your mind if this is a read for you.

Copyright 2012 by Thomas L. Kepler, all rights reserved

Monday, July 2, 2012

My Books Discounted 50% to Free During Smashwords' July E-book Sale

50% discount, 50% discount, and free: my e-books are on sale.

Smashwords Summer Winter Promotion--that's what it's called because it's summer in the northern hemisphere and winter in the south.

My three e-books at Smashwords are discounted, and I hope you enjoy the sale.
  • The Stone Dragon, discounted 50%, coupon code SSW50 ($2.50). Dream magic is the most dangerous of magics because it is so difficult to control. "The source that is not dreaming, sleeping, or waking . . . perhaps the salvation of us all. An interesting journey into the creation of reality from the source, enabled by a cup of cabbage tea."
  • Who Listened to Dragons, Three Stories, 100% discount, coupon code SSWIN, free book. Set in the same reality as the fantasy novel The Stone Dragon, three short stories continue the magic of the novel. Two brothers--one the strange one, the other the brother of the strange one, desert and wyrm, river's daughters or river nymphs, soldiers or assassins, retribution or abomination . . . Visit a land where magic makes all things are possible.
  • Love Ya Like a Sister, discounted 50%, coupon code SSW50 ($1.50). "The author has described Love Ya Like a Sister as young adult chick lit with a male protagonist. While that seems like a strange description, it’s a good one. Although chick lit should have a protagonist who is a chick, that is the only reason this book couldn’t be considered chick lit. It has the other defining elements, primarily being 'a personal and foible-filled journey toward self-understanding and self-awareness.'" (from Big Al's Books and Pals review)
Right now I'm working on the revision of the sequel to The Stone Dragon, a novel titled Dragons of Blood and Stone. However, it's always nice to share books--and that includes mine.

On each of the links above, the Smashwords book page will open. The promotional code is included on that page to give you the savings. 

 
Copyright 2012 by Thomas L. Kepler, all rights reserved