Friday, November 19, 2021

Six Books on Our Relationship with Nature

Recently I've been interested in reading about the relationship we can develop with nature--or should I write that with a capital, Nature? What I've discovered is that most of the books I've run across that I want to read are not at my local public library because they are not heavy hitters in terms of sales. Kindle has become the go-to purchase choice for me, and it's pretty convenient, I must say. Here are some of the books I've purchased that I've either read or are on my winter reading list. As you'll see, they represent a broad perspective of how people, and specifically how I, can interact with the natural world. 

Wilding: Returning Nature to Our Farm

Author, Isabella Tree. I was surprised to discover that this book is heavily researched and documented, so a lot of background information is provided and also support for the concept of allowing nature to coordinate how a piece of land is "managed" for best ecological results. It really is an eye-opener and also provided me with hope. On Knepp Castle Estate, an ancient, English estate, Isabella Tree and her husband (the inheritor) decide to "re-wild" the land. Their ecological, social, and legal journey includes the return of weeds and trash brush, the introduction of wild cattle and hogs, and the return of many birds that are in danger of extinction in Britain. It's a fascinating read.

Of the books I've purchased, Wilding is the only one I've completely read so far. The others I'm reading a bit at a time. In fact, the next four I'm reading concurrently, as my mood dictates. I'll read a bit in one and then another.

One Unbounded Ocean of Consciousness: Simple Answers to the Big Questions in Life

Author, Tony Nader. Dr. Nader is the head of the organization that teaches the Transcendental Meditation technique. He was taught and appointed by Maharishi Mahesh Yogi, who introduced the meditation technique and the Vedic understanding of the nature and range of consciousness to the Western world over sixty years ago. Because Dr. Nader is a medical doctor and researcher, he provides a comprehensive look at the relationship of consciousness, reality, the world, and ourselves. He connects Vedic wisdom and the historical and most current scientific understanding of what existence is and how human consciousness interacts with reality. His basic premise is that everything is consciousness, and his development of this concept from both Vedic and scientific perspectives is comprehensive. One of the most interesting results of reading this book is the discovery that our everyday understanding of our relationship with the world is quite limited (and probably outdated); even science has a much more expanded and "cosmic" perspective of how we perceive the world. 

House of Rain: Tracking a Vanished Civilization Across the American Southwest

Author, Craig Childs. One of my personal goals is to make the journey to the American Southwest with my Airstream Basecamp trailer and spend time exploring the ancient cultures of the Anasazi. And, by the way, this book House of Rain has informed me that the word Anasazi is not the preferred term any longer; meaning "ancient enemy" in Navajo, the indigenous peoples of the Southwest preferably to not choose to refer to their ancestors as enemies. “Ancestral Pueblo” or “Ancestral Puebloan" are preferred terms. This book combines the author's personal experiences with his explorations of the ruins and his research of these ancient cultures. What has touched me most so far in my reading is how the construction of the cliff dwellings was so intimately connected to nature--the seasons and the path of the sun, the topography of the land and the situating of the buildings. There is an alignment with nature. This is something that is certainly not common in modern building and community planning.

The Transcendentalists and Their World

Author, Robert A. Gross. Forty years ago, Robert Gross published The Minutemen and Their World, an academic study of the Minutemen of Concord, Massachusetts, and their community. It's been reissued, and Gross has also published now a look at the Transcendentalists and how they lived and interacted in their community at Concord. I've started reading this and am excited to discover how such a profound and individual vision of personal freedom and spirituality as Transcendentalism bubbled up at Concord. From what I've read so far, the citizens of Concord, for instance, looked at our dear Henry David Thoreau with a mixture of pride, awe, and quite a bit of puzzled head-scratching. I'm looking forward to a more complete understanding of the cultural milieu that produced this world perspective.

Nature, Love Medicine: Essays on Wildness and Wellness

Editor, Thomas Lowe Fleischner. This book of essays focuses on the theme that if we find a way to integrate with nature, then we become more integrated, healthy, dynamic individuals and communities. From what I've read so far, the essays include a mixture of personal experience and scientific and medical understanding of the benefits of getting outside and developing a connection with the natural world. Not only are the effects on individuals in nature explored but also how communities benefit when local governments consciously include green zones and such in city planning. One essay I read included medical and crime statistics. Because this book includes a collection of authors, it provides multiple perspectives of why we should get out in nature as a regular part of our daily routines. According to my Kindle app, I've only read 13% of this anthology, so I've got some good reading and reflecting ahead for this winter season.

Feral: Rewilding the Land, the Sea, and Human Life 

Author, George Monbiot. I've only read three percent of this book so far, but I'm looking forward to engaging with the content. Monbiot is an environmentalist who has written quite a few books about how humankind are devastating our planet. This book provides an optimistic note that the natural world can regenerate if provided a fair chance by humanity. The book blurb explains: "An optimistic approach to environmentalism that focuses on the wonders of rewilding, not just the terrifying consequences of climate change." The author shares with us a vision of "how, by inviting nature back into our lives, we can simultaneously cure our 'ecological boredom' and begin repairing centuries of environmental damage. Monbiot takes readers on an enchanting journey around the world to explore ecosystems that have been 'rewilded': freed from human intervention and allowed—in some cases for the first time in millennia—to resume their natural ecological processes." I'm looking forward to reading this book.

As you can see, I'm currently reading books about making a connection with nature, both inner and outer nature--as if there's any difference. Yes, I realize it's somewhat ironic that I'm connecting with nature via the medium of ebooks and the Kindle, but I do feel that we can find a way to combine our technological advances with living in harmony with nature. These books provide me with hope and also current, pertinent information on how to live a connected life with and within our world. Good reading to everyone, and perhaps your winter reading will include one or more of these books.

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Thursday, September 23, 2021

The Serialized Novel on Kindle Vella--What's Going to Happen Today?

(envatotuts+)
I grew up waiting for the next episode of Star Trek or Dark Shadows or, heaven help me, Bonanza. The weekly episodes of my favorite series have been a big part of my entertainment life. During the time of Charles Dickens, serialized novels were also the standard procedure--sell the novel episode by episode and then publish the novel in its entirety. Alexandre Dumas also serialized his novel The Three Musketeers. In fact, to read the entire novel would take several volumes of reading; the novel we usually read--one book--is an abridged version of the original serialization.

This episodic approach to writing is something I'm trying now on Kindle Vella with a science fiction novel Grav Board. Most of the episodes are between one thousand and two thousand words. Right now, I've written a little over 20,000 words about four teenagers, two Human and two Wolfen, who are a part of negotiations between the two species, which have recently backed off from a bloody war. Grav Board? Well, yes, there is also the teens' implementation of anti-gravity technology to skateboarding.

I have a good idea of how the novel is going to end, but I haven't plotted out each episode. I write an episode, save it, and then come back a week or two later (or more) and read and revise and then publish. To be honest, it's a more casual approach than I usually take with my fiction, perhaps influenced by my years of active blogging. Usually my primary focus is on the story; with this novel, I'm also focused on the process and the enjoyment it is bringing me. Imagine that--not the suffering artist!

I know where I'm heading with the novel, but after completing and saving an episode, I go on about my daily business, the idea of the story in the back of my mind. Possibilities arise, some unexpected and delightful. When I sit down again at the computer to continue the story, that's when I ask myself, "Okay, what's going to happen today?" As I'm writing, new unexpected possibilities arise and insert themselves into the storyline. It's great to have the story to begin to tell itself. 

And so at this time my novel writing is process-oriented. My procedures so far have been to keep a one or two episodes ahead of my weekly publishing on Thursday. I'm enjoying the process, and the weekly publishing provides enough incentive to keep at the writing. With the intense nature of events that surround us right now, I'm finding being able to leave for a while and imagine life in my created reality a great refuge. Am I writing a perfect story? Well, I can "perfect" the story by revision once I complete its serialized telling. 

Until then, you're invited to read along on on Kindle Vella the adventures of Cletus, Kama, Garr, and Daga . . . and Salan, the Chinari . . . and how two space-faring civilizations manage to save themselves from mutual annihilation. 

Grav Board on Kindle Vella

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Monday, August 16, 2021

I Decide to Publish on Kindle Vella


I don't know about other writers, but I think this is generally true--we get an idea and tuck it away for later. Later, of course, is a very fluid concept. Later can time out at a week, a month, or for me, over ten years. I don't even remember how long I've packed around the idea of how skateboards and anti-gravity technology would interact in the future. I've had the idea for a long time but haven't acted on it. And then Kindle Vella came along, and I decided to use that platform as a writing incentive for Grav Board, a serialized, episodic story about a teenager on an alien planet who likes to skateboard.

Here's the story description:
It was a brief, bloody war between the Wolfen and us--two planets destroyed along with a fleet of warships from each of our kind. Then sanity overcame aggression and a planet was chosen--Haven, a home for the diplomats and us, their kids. We were "gestures of good faith," hostages of a sort I guess. The Human and Wolfen kids were told to never interact, that we weren't old enough and smart enough to deal with First Contact issues. We nodded and said "yes," and of course, ignored them completely.

I've focused almost exclusively on blog and non-fiction writing for the last three years but have been wanting to get back into fiction. I had tried Wattpad some years back, another storytelling platform, but eventually threw in the towel. What I was writing didn't really match with the readers, I felt, but mostly in order to be successful on the platform, a lot of time had to be spent massaging the website to gain traction--more time than I was willing to spend. In my understanding, it was both a social and a publishing platform, and I wasn't either competent or inspired to spend the time at Wattpad necessary to highlight my writing.

I wanted to start writing fiction again, and this skateboarding story had always fascinated me--a blend of science fiction and growing up story, a story about friendship. The episodic nature of the platform suits my needs right now. I've written eight episodes so far, published five, and now have the opportunity to write regularly--daily--and to publish episodes to a schedule that will allow readers to expect "the next exciting installment."

It's a different experience for me because the platform (for me, at least) will lend itself to writing a rough draft, reading it over once, and then publishing it. I usually revise much more. The platform will allow me, though, to write the first draft, let it sit for a while, and then to revise and publish. I'm okay with the seat-of-your-pants style of publishing. Maybe it's the blog writing I've been doing the last few years. 

What I need right now is to write fiction. I'm finding it soothing, and I think that's because I'm investing more in the process than the outcome. If writing is a journey, then right now I want to enjoy the journey. What with all the turmoil in the world, having a reality that I control completely (as much as any writer controls the process) is reassuring. It's a safe haven that I can return to again and again, a Rivendell of creativity that nurtures me in times of trouble. 

Kindle Vella stories allow the first three episodes to be read for free. Then readers use tokens to gain access to following episodes, the number of tokens determined by the length of the episode. For instance, the fourth episode of Grav Board, "Hunt," is 1,459 words long and "costs" 14 tokens. Each episode has to be at least 600 words in length. Kindle provides each reader the first 200 tokens for free to get you reading.  

If you're a writer, then you know that "at least 600 words" for an episode is a nice little length for a sit-me-down writing session--and we can always write more, you know! It's kind of a wild leap into thin air for me writing on this platform. Perhaps the subject of alien skateboarding is an appropriate metaphor for this time in my writing life. 

If you want to read along with me as I write, please do so! After Kindle Direct Publishing informed me my first episodes were live, I went to the Kindle Vella site and tried to find Grav Board. Couldn't find it while searching categories. That's my biggest concern--the story drops into the immense ocean of platform content and disappears into the depths. 

This blog article is a bit of self-marketing. If folks who read my blog articles or books are interested, go to my story, read and hopefully enjoy, and then provide a response--a review or a thumbs up. You can also share via Facebook or Twitter. Also, collect those free tokens so you can read more than the first three episodes for free. I figure that with the first three episodes being free and with the free tokens, you can read around the first twenty episodes for free. After that, I think the next two hundred tokens would cost you something like two bucks. 

I've enjoyed writing the first three thousand words of this story. Getting back into the routine has been fulfilling. It's always great to have reader support, though, so follow along. It never hurts for a writer to remember that there's a reader hovering over your shoulder. It may not keep me completely aboveboard, but writers should feel free to plumb the depths for mysteries. Follow along (and, yes, there is a "follow story" button) and you'll be the first to see what treasure arises from the oceanic depths, still streaming with whatever water of creativity I can muster. 

Just be sure to enjoy. Grav Board won't feature the news of the day. All science fiction fans will tell you, though, that sometimes it's the news of tomorrow that makes the joy of today.

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Monday, July 26, 2021

Is the Amazon Kindle Vella the Right Publishing Platform for Me?

Photo @ Unsplash
As a Kindle Direct Publishing author, I've been receiving emails from KDP promoting its new publishing platform Kindle Vella. Here's a brief description they sent about this new program.

Kindle Vella is a new storytelling option from Kindle Direct Publishing to self-publish serialized stories, one short 600–5,000 word episode at a time.

To begin, we recommend publishing at least five episodes before Kindle Vella is available to readers. Then publish regularly to keep your followers coming back for more.

I researched online some regarding opinions of this new online publishing option. One article that was particularly informative for me was from the Reedsy website, "What Is Kindle Vella? And Should You Join as an Author?" The article provides an overview of Vella, describing how it works, the audience, and how authors will earn money for their writing. Bottom line, it's a lot like Wattpad

I tried publishing on Wattpad for a while and then finally removed my writing from the platform. The reason is that serialized writing is something that you have to keep at to keep your audience. The most known authors on the platform are those who publish to their stories regularly . . . and therefore develop an audience of engaged readers who wait (hopefully with bated breath) for the next installment. The audience is mostly young readers--defined as readers who have grown up reading a lot on their phones.

I quit Wattpad because my writing routine didn't fit that pattern, but now here comes Kindle Vella, and I'm asking myself again, "Is this something I should do?" Off the top, my answer is a "no" and now I should move on. That was my perspective for about two days, and then I remembered something.

I have an idea for a young adult science fiction novel that I've been carrying around for many years. Now I have to ask myself, "Could I write the novel in a serialized form on Kindle Vella?" The Reedsy article characterizes Vella in the following manner: "Kindle Vella is Amazon’s foray into the  'serialization market,' currently dominated by established apps such as Wattpad or Radish, and with a readership consisting mostly of young readers." It sounds like Vella--or the other platforms--could provide a good incentive for me to write my tucked away story about space travel, aliens, kids (including alien kids), and skateboards that are hopped up by new technology. 

I've wanted to write this novel for a long time. I think it would be fun, and having a readership to keep me encouraged and regularly writing would be great because writing is work, at least after the first ten thousand words. I find the idea intriguing, though, so I'll keep you informed. 

And I don't believe that kids on hopped up skateboards saving friends and civilizations is just a story for kids. A few of us older kids enjoy reading such stories, too!

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Thursday, July 8, 2021

I Fulfill a Request for a Signed Copy of My New Book: RTTC Bears in the Wild

RTTC Bears in the Wild
I can see why authors participate in book signing events. Not only does it promote the book, but such an event also is good for the author's sense of accomplishment. Readers show up and not only buy a book but also want it signed by the author. Of course, this is all true only if readers show up! I've read accounts of the opposite happening; when no one shows up to a book signing, then we must look deep into those waters of personal motivation.

Recently, I was asked through Facebook Messenger for a signed copy of RTTC Bears in the Wild. The reader had given her copy of the book away to a friend and contacted me asking for a signed copy. It had been a long time since I'd done this, and since I knew her from online, I told her I'd mail her a book and then contact her about how much it would cost.

The cost of printing RTTC Bears in the Wild is about two and a half times more than a book of similar pages but without the color photographs. When determining the cost of the little book, I had to factor the increased printing cost, of course. Also POD (Print on Demand) costs are higher than traditional mass printing. I like the POD publishing model, though, for a several reasons. One is that there are no upfront printing costs that the publisher and author must then recoup. Another is that there are no storage issues for the books--500 or 5,000 books take up quite a bit of space, and then there are also the issues of protection of the book, too, to ensure that water, humidity, and insects and rodents don't damage the book. Finally, there is the environmental plus with POD publishing that only those books purchased are printed. Trees are cut down to print books that are never read; energy is needlessly spent for printing that isn't needed. All these issues morph, of course, when discussing ebooks. The environmental discussion still deals with energy consumption, though.

I have a downstairs cupboard full of copies of my books--mostly my first three books. I've learned my lesson, though, and no longer buy a hundred copies of a new book. Ten copies will do, and I can always order more. I don't do promotional book signings, especially in my home town. I guess I feel that I just want to connect to readers online and not have to put my local friends through the decision-making process of "Oh, should we go to Tom's book signing? Do we have to buy a book? I don't want to hurt his feelings by not showing up." I have placed my books in a local book store, though. That was easy and seemed reasonable. I've also considered selling my books at the local Farmers' Market. I could set my table up next to a friend and spend a fun Saturday morning maybe selling a book but certainly chatting with folks. And I could buy a week's worth of zuchini--or maybe manage a swap!

It turns out that it's less expensive to buy a book from me personally than buying it online from Amazon. When a reader buys a copy of one of my books from Amazon, I receive sixty percent of the sale price. The rest goes to Kindle Direct Publishing for printing. KDP describes it as follows: "KDP offers a fixed 60% royalty rate on paperbacks sold on Amazon marketplaces where KDP supports paperback distribution. Your royalty is 60% of your list price. We then subtract printing costs, which depend on page count, ink type, and the Amazon marketplace your paperback was ordered from." This sounds pretty good--six dollars in royalties for a small book using black ink. However, those distribution marketplace costs are taken from the royalties, so in truth a ten-dollar book would maybe get an author two dollars for royalties. Here is a link from Martin Publishing Services (click here) if you're interested in learning more. 

Another reason that it costs less to buy a book from me, rather than from Amazon (for the three books I've published exclusively via KDP) is that I do the packaging and mailing. If I were to charge for the hour it takes me to package the book and then take it to the post office, then . . . well, I really can't even consider that if I want to consider economics. It is fulfilling to mail a book off, though. There's a personal connection established by writing in the book and then mailing it off. If I were doing this all day long in order to make my living money, then I'd have to raise my prices. Occasionally mailing a signed copy to a reader? That's a gesture of respect.

Henry David Thoreau once commented on his publishing of Walden, something along these lines--"I have a library of one thousand books, of which nine hundred are the book I wrote." I've managed to not "save money" by privately printing a large number of books, where each book printed would indeed cost less than POD publishing. However, I have cut my upfront costs to almost nothing and also don't have to stare at a roomful of books and wonder, "What am I going to do with all those darn books?" The good news is that rather than worrying about how I can sell more copies of my recent camping book--I'm just going camping!