Saturday, October 27, 2012

Herman Wouk at 97 and a new novel, The Lawgiver

I have to admit that I've never read anything by Herman Wouk, although I know he is a famous American author.

According to what appears to be Wouk's official webpage, he has authored over twenty works, including The Caine Mutiny and The Winds of War and War and Remembrance. He is a Pulitzer Prize winner.

The website's "Biography" and "In Memorium" pages mention the following tidbits:
  • Among living American writers, Herman Wouk is probably one of the most widely read around the world, almost as popular in translation in the People’s Republic of China, and in twenty-seven other languages, as he is in his native land.
  • He works slowly. In recent years he has been publishing books six or seven years apart, and each publication has been a major literary event in the United States and abroad.
  • Wouk is wholly a New York City product.
  •  Mr. Wouk is an unusually private person, living a disciplined, secluded existence with his wife of sixty-four years in Palm Springs, California.
  • Wouk's wife Sarah passed away this last March 17th, 90 years of age. "In 1979, she established the [BSW Literary Agency] and became her husband's literary agent."
I am writing this blog entry because of reading a recent column in Vanity Fair magazine (October 2012): the "Proust Questionnaire," which is also accessible online.

The Questionnaire starts with the pitch "Now 97 and about to release his 13th novel, The Lawgiver, the Pulitzer Prize winner cherishes his solitude above all--that and his voluminous diary."

Three wonderful comments from the Vanity Fair post are these:
  • When and where were you happiest? Anywhere with [Betty Sarah Wouk, his wife], while she lived.
  • What is your greatest fear? At age 97 and counting, guess.
  • What is your favorite occupation? Plain truth? Writing a new book.
I think Herman Wouk is my new hero. Which book of his should I read first?

Copyright 2012 by Thomas L. Kepler, all rights reserved
Illustration by Risko, Vanity Fair


Saturday, October 20, 2012

Lord of Mountains and S. M. Stirling's Nine Novels of The Change: a Review

Lord of Mountains is S. M. Stirling's ninth novel of the Change, a series that began with Dies the Fire.

It is the shortest of the nine novels, and if it weren't for the other eight, it would not be as satisfying. Since I have read the other eight, I can say that I enjoyed this novel for its tying loose ends together--and tolerated it for a novel whose very first word was written to fulfill that very same task.

(Two asides: Dies the Fire was reviewed by me about a year and a half ago. Also, three other novels, beginning with Island in the Sea of Time, also are novels of the Change but are not connected other than that the basic conflict is the Change. Same dilemma, different universe, one might say.)

The basic premise of the series is as follows:
The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and firearms inoperable--and plunged the world into a dark age humanity was unprepared to face . . . What happens when the lights go out . . . for good?
The series follows several groups of people in the Pacific Northwest who survive the inevitable catastrophic changes that follow a technological society's loss of technology world-wide. Lord of Mountains provides closure for the characters and cultures that have developed during the course of the first eight novels. Stirling's website mentions "There will be 3 more "Emberverse" novels after The Given Sacrifice, probably set a generation later."

One is led to believe that the current structure of the series is as follows:
  • Dies the Fire, The Protector's War, and A Meeting at Corvallis chronicle the first generation, those who witness the Change and establish the first enclaves of survival in the massive downfall of civilization when the plug is well and truly pulled.
  • The Sunrise Lands, The Scourge of God, The Sword of the Lady, The High King of Montival, The Tears of the Sun, and Lord of Mountains document the "changling" generation twenty-five years after the Change. This series will apparently be completed by the forthcoming novel The Given Sacrifice.
  • The second generation after the change--let's say fifty years after the Change--will be the focus of  Stirling's next three books.
What I like about these books are anthropological insights that Stirling develops as he follows the men and women who struggle to redefine life in a time much different, in a time in which "modern" means seriously retro. Stirling's thread of speculation is thorough and creative, leading to many moments of pleasure and humor. His vision leads from an engineer pondering science fictional questions regarding the Change to mythic and fantastic (in the true sense of the word) possibilities being resurrected from legend.

What I don't like about the series is that a great deal of head-bashing fills the series, ending with truly epic battle in Lord of Mountains. Stirling does it well, providing gritty detail, not wallowing in the gore yet still hosing the reader with all the crimson realism an aficionado could desire. For me, character development and the variety of cross-culture characters balanced the battle gore. For some it will not.

Stirling's epic vision extends beyond man, and this provides some moments of enjoyable head-scratching. Not to lean toward anything resembling a spoiler, here is a basic question: If energy and its lack can be personified in some way, how would this play out? Stirling tackles this idea and presents some possibilities that are both reassuringly predictable and also refreshingly original.

I'm looking forward to The Given Sacrifice, if only to provide a substantive firewall at the close of the series. The title, though, reminds me a little of Thomas Mann's Death in Venice. It sort of limits speculation.

For those of you interested in fan fiction based on Stirling's universe, try Kier Salmon's website.

Copyright 2012 by Thomas L. Kepler, all rights reserved

Wednesday, October 17, 2012

The Joy of Falling Asleep

Falling asleep is one of my favorite things to do . . . I'm not kidding!

Now, I don't mean that I wait around all day just for the opportunity to fall asleep. What I mean is that I find the process vastly reassuring and one that brings great content.

Here's how it goes--

First, if I haven't jacked my physiology around all day, I lie down to sleep relatively at ease. I close my eyes to drift off to sleep . . . and that's it! I mean, there's really nothing more to do, is there?

What a relief and a gift! I just lie in bed, the place one should be after a full day of activity, doing what is best for the body and mind. A couple of comparisons: the engine is idling but in "neutral"; the computer is still functioning but is on "standby."

So I just lie there, and maybe I notice the breathing slowing and deepening--not that I'm trying. Maybe (a little comic moment) I notice that deeper breathing becoming somewhat audible. Muscle systems relax, the body shifts to a more comfortable position.

Meanwhile thoughts become unfocused and non-essential. The working of the mind is no longer significant. Thoughts are just those changing images and little messages on the computer screen as the machine closes down--yeah, maybe something but who needs to read along? It's going to happen anyway.

The experience is of more and more silence, the mind floating in silence with no directive, no mission, no agenda, no "to-do" list--just the natural human process of shutting off for a while and experiencing another aspect of life: rest and silence and just being.

I find this moment so reassuring, that when we finally sum up who we are, it is first that we are consciousness or awareness, just that. All the movement and chores come later. First we are.

Of course I also notice or am this when I practice the Transcendental Meditation technique, but, still, I love to fall asleep, to be in my bed, on a structure designed for the pleasure of complete rest and relaxation. I'm not goofing off--I'm sleeping, an essential health requirement.

Ain't life grand? No guilt, just a well-earned pause, like the beauty of the silence between two notes of music.

Copyright 2012 by Thomas L. Kepler, all rights reserved

Saturday, October 13, 2012

Tom Kepler in a Cowboy Hat and Boots

I went to visit my family this summer for my father's 92nd birthday. As part of the celebration, I dressed up with my dad in his cowboy hats and boots.

These are probably the only photos that will ever exist of me dressed up as a cowboy. And that's most likely all for the best.

Tan and ivory boots
Black boots and my favorite hats

My mom, always happy to hold my hand
Thanks, of course, to my brother for taking the photos. I'm surprised the shots aren't blurred because he was laughing the whole time.

Copyright 2012 by Thomas L. Kepler, all rights reserved

Saturday, October 6, 2012

Bob Dylan Dot Com and What About Artists "Knockin' at Death's Door"?

Vitoria-Gasteiz, Spain 2010
Bob Dylan  is 71 years old, and he has just released his new album Tempest. According to my hand count of covers from his website, bobdylan.com, that makes fifty-nine albums in his fifty-year-plus career.

I'm not going to focus on Dylan's career, though, or his new album; there are plenty of writers and music critics out there much more qualified than I who can and are doing that.

Comments on Tempest from Dylan's website:
"Fifty years after his debut, a seventy-one-year-old Bob Dylan can still release relevant, timeless, thought provoking music that touches listeners to their core." (Eli Kaminsky, The Justice, Brandeis University)
". . . [Dylan] is never content to repeat himself. He knows life's too short for that, and too short for dewy-eyed nostalgia . . ." (Zach Low, The Lantern, Ohio State University)
"Many of Tempest's stories take on the feel of decay, and only a legendary artist of his age could juggle such shady content and still come off as nothing but poetic." (Taylor Costello, The State Press, Arizona State University)
Costello's use of shady is, of course, apt as a literary descriptor, since Homer and the ancient Greeks referred to the dead in the underworld as the shades.

Bob Dylan is seventy-one years old. I am sixty years old. Dylan's work has been a lifetime of prolific creation. I've spent a great deal of my life pouring my creativity into teaching in the classroom and another large dollop in my late 40's and early 50's as the primary caregiver for my first wife, who passed away in 2003. In addition to those good tasks, I've also managed to publish four books plus a scattering of poetry in literary little magazines so far.

I'm not particularly interested in considering myself at the end of my creative time just because I'm now a greybeard. I'm sure Dylan isn't interested in having the debate of "What in the heck are you thinking, putting an album out at your age?" Nonetheless, one cannot deny the accumulation of years. Perhaps I should just think, "Don't look back, it's all right" . . .

Chicago Picasso, 1967
Pablo Picasso died at the age of ninety-one and was prolific in his later years. According to Wikipedia, in his later years Picasso "became more daring, his works more colorful and expressive, and from 1968 through 1971 he produced a torrent of paintings and hundreds of copperplate etchings. At the time these works were dismissed by most as pornographic fantasies of an impotent old man or the slapdash works of an artist who was past his prime. Only later, after Picasso’s death, when the rest of the art world had moved on from abstract expressionism, did the critical community come to see that Picasso had already discovered neo-expressionism and was, as so often before, ahead of his time."

My father is ninety-one years old and is in his feeble years. What lies ahead for me? I practice Transcendental Meditation and lead a healthy lifestyle, yet I've also seen a number of people who practice TM pass on at my age or younger from heart weaknesses or other hidden biological timebombs that lay nestled in their physiologies.

Evidently, death recognizes no silver bullet.

The answer, of course, lies not in the body which must needs feel the pull of the tides of time; the answer lies in the transcendental nature of our Self. We must realize and live that. As Voltaire said, "That is all very well and good, but let us tend our gardens." Yes, I will continue my routine and recognize my accumulating years--but continue my work.

Bob Dylan said in a 2011 interview with Bob Elderfield (that focused mostly on Dylan as a painter):
"Mystery is ancient. It's the essence of everything. It violates all conventions of beauty and understanding. It was there before the beginning, and it will be there beyond the end. We were created in it. The Mississippi Sheiks recorded a song called "Stop and Listen." To most music aficionados, it's but a ragtime blues. But to me, it's words of wisdom. Saint Paul said we see through the glass darkly. There's plenty of mystery in nature and contemporary life. For some people, it's too harsh to deal with. But I don't see it that way."
I remember Maharishi Mahesh Yogi saying that time is our most precious commodity. We can always make more money, but we cannot make more time. We should use our time to discover within ourselves the full range of our Selves and existence.

A routine of meditation and engaging in productive work is a powerful recipe for personal growth--and for adding something to the world. For me right now, I teach and I write.

 It's good work. Don't let me catch you staring at me and glancing at your wristwatch. I don't have time for that, and neither do you. I'm interested in what happens on the next page, not what happened on the last.

Copyright 2012 by Thomas L. Kepler, all rights reserved

Tuesday, October 2, 2012

I Write: Being & Writing--Published through CreateSpace/Amazon Rather Than Lightning Source

The experiment is complete--I Write: Being & Writing available through Amazon/Create Space rather than Lightning Source--and I am satisfied.

You might wonder at the word satisfied. Why not thrilled or ecstatic?

My experiment was to use CreateSpace's templates, to publish using a Word template for the interior block and the CreateSpace template software for the cover. Within the limitations imposed by using the templates, I am completely satisfied with my book--but there also is the inescapable truth that those limitations exist.

I wanted to use the simplest approach so that when I used the process with my students, putting together the book was as straightforward, easy, and quick as possible. I feel that the CreateSpace process fills that need. I published I Write: Being & Writing to become familiar with the software and whatever quirks existed in the process. That really took little time, having already published three books through Lightning Source.

You might imagine going to school at a large university and then transferring to a community college; the processes would be essentially the same to enroll and register for classes. It was like that for going from Lightning Source to CreateSpace. Instead of InDesign, I used Word. Instead of PhotoShop, I used CreateSpace's Cover Creator software. The results were predictable, and the limitations were what one would predict.
  • Some lines in the interior have more space than I would like, due to Word's lack of tracking sophistication that InDesign has.
  • I have to alter some of CreateSpace's Word template's styles to achieve a less intrusive look, such as centered, two-line titles (chapter number and title), rather than all caps left-hand titles that started with a chapter numeral.
  • Word software is always a mystery and is less predictable than InDesign, although InDesign is much more complex. It took a while to understand the logic of whomever set up the template. This is nobody's fault, but it did take time.
CreateSpace does explain in its instructions that the Word templates for the interior can be altered. The company also provides opportunities to choose from a variety of cover templates, and then those templates have some capacity for alteration, such as uploading your own cover image. The cover may end up with a flavor of boilerplate familiarity, but for my non-fiction book, the blocked visual layout was okay with me.

Online software at CreateSpace also allows one to see how the interior and cover will look. This is a great feature to provide continual assessment of the book as you go. If something is below standard, such as a photo lacking resolution, then the software informs you. Once you are ready to publish, the software automatically will generate the PDF for the interior and for the cover. This is a great feature. It should be mentioned here for those who are more advanced with publishing software that one can use more sophisticated software such as Adobe products, create the bookblock and cover, convert to PDF, and then submit those, just like at Lightning Source.

The big question is whether my next book will be a Print on Demand book through Lightning Source or through CreateSpace. This seems to be a hot topic on the internet. One good article (pro-CS) is "Why is Cool Gus Publishing switching from Lightning Source to CreateSpace?" I cannot argue with any of the ideas presented--lower price, helpful aids to evaluate the evolving cover and interior block, quite a lot of online advice, to mention a few.

However, at this time I like it that Lightning Source works with me as a publisher, Wise Moon Books, and not as an author who wants to independently publish. It's kind of like dealing with the Apple company. The services are great yet are also completely controlled by the vision of one company. As a publisher, do I want that?

I honestly can't answer that question at this time. My next book is a year off--revision and formatting still in the future. I've got a while to read, discuss, and consider. In the meantime, I Write: Being & Writing is available as a paper and eBook through CreateSpace/Amazon and Kindle. It should also soon be available through Smashwords.

Take a look. I hope you enjoy and appreciate my (and CreateSpace's) end product.

Copyright 2012 by Thomas L. Kepler, all rights reserved